When a Belgian café’s walls literally vibrated every weekend from raucous jam sessions, who’d have guessed it’d birth a band ready to torch the metalcore scene? Meet INSCENDIUM—Luxembourg/Belgium’s fiery quartet—whose debut EP, The Awakening, dropped March 14 via French label M.U.S.I.C Records. Think Falling In Reverse meets In Flames, with a dash of feminist fury and pop-rock hooks sharp enough to carve your name into a mosh pit.
Their origin story? Pure rock ’n’ roll resilience. When their beloved Arlon haunt shuttered, vocalist Véronique Freres and crew didn’t mourn—they burned. “Why cry over spilled expresso?” laughs bassist Marty Poncin. “We built our own damn stage.” And oh, does it show. Tracks like The Path and A Ray of Hope are sonic wildfires: Véronique’s vocals swing from velvet whispers to gutteral roars, while Kilian Vivier’s riffs and Isaac Smith’s drums hit like a freight train with a grudge.
Four musical anarchists colliding like atoms. A classically trained vocalist, a punk bassist, a jazz drummer, and a metalhead guitarist. Yet live, their chemistry’s undeniable. They’ve already scorched stages across Belgium, France, and Luxembourg. Rumor has it festival bookers keep fire extinguishers on standby.
Produced by Gerald Jans (Channel Zero) and wrapped in Marcus James Fern’s sleek logo + Stéphane Boeckx’s artwork, The Awakening isn’t just an EP—it’s a manifesto. Rebellion, love, feminism—all served raw, no filter.
So, ready to join the inferno? Stream it, crank it, live it. Just don’t say I didn’t warn you.
INSCENDIUM doesn’t just make music—they weaponize it. If their live energy were a drink, it’d be 90% adrenaline, 10% nitroglycerin.
Links:
EP (Digital/CD): Official Store
Digital:
Socials: Facebook / Spotify / Instagram
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