Ever craved a band that punches harder than your morning espresso and makes you think? Meet Marble Ghosts, Ottawa’s answer to rock’s identity crisis. Their upcoming EP The Greatest Divide (out May 23, 2025) is a Molotov cocktail of Alter Bridge’s grandeur and Three Days Grace’s grit.
Frontman Dylan Gunnell snarls like a poet who’s seen too much, while Adam Hansen’s guitar licks? Pure ear candy with a serrated edge. Jer Renaud’s drums hit with sledgehammer subtlety, and Paulo Ferraz’s bass? A subterranean rumble that turns every track into a heartbeat for the disenfranchised—less an instrument, more a tectonic shift you feel in your ribs.
Tracks like Eat the Rich (4:16 of pure rebellion) and Trafficked don’t just question power structures, they torch ’em. These guys aren’t rookies. They’ve shared stages with All That Remains and Henry Rollins, survived mosh pits at Montebello Rockfest (2014, 2019 ouch), and dropped EPs like breadcrumbs leading to this moment. Their 2023 debut at Café Dekcuf wasn’t a gig, it was a warning shot.
Produced by Hansen and polished by Sound Creation Studio’s Scott Walsh, The Greatest Divide feels like staring into a storm. Art by Edith Fluet? Haunting. Lisa Thompson’s photos? Let’s just say “darkly iconic” doesn’t cover it.
Marble Ghosts ain’t just a band… These guys are the jolt we need. Crank it loud. Your eardrums’ll thank you later.
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